Hypothesis: that a congerie may be transformed into a compelling order, driven by the natural urge of consciousness to grasp order, discover shapes and symbols, knit together patterns and unearth archetypal narratives.
To steep ourselves in a subject-matter we have first to plunge into it.— John Dewey
II. a single hope
My art’s aim is to grip the viewer, and then inspire the viewer to seek their own unique discoveries in each piece. The pieces present deep opportunities for visual serendipity by drawing the viewer into experiential, insightful, seeking. Each piece is a numinous intervention aiming to present puzzles that the artist has neither created or solved.
If you have not experienced a thing, it is not true!— Kabir
III. time takes time
I came to my art practice as a matter of my lifelong drive to satisfy my curiosity. This demands that I continue to wander, experience, explore, do experiments. Creating visual pieces is a musical process of spontaneous conduction. My guiding intentions are to learn by doing experiments, discover unique territories, and, experience adventurous creative praxis.
Follow the perfume, not the tracks.— Shams of Tabriz
IV. Coda: Eightfold Concresence (read:Q&A)
The growing together of a many into the unity of a one.
It is “the real constitution of a particular existent.” (A.N. Whitehead)
Each art work constitutes an experiment, The experiment is completed by the viewer’s presence, awareness, and engaged seeking.
question(s)? comment(s)? conversation? contact: firstname.lastname@example.org | 216.269.5568 (Cleveland, Ohio, USA)
My artist’s statement is a living description! Stephen Calhoun, August 2017
Stephen Calhoun’s creative projects have in their background his theorist/researcher’s interest in serendipity, generativity, and radically empirical experience in adult learning and development.
Starting as a self-taught graphic designer in 1985, his first fine art works were painted from 1993-2002. He took up the cause of procedural, generative digital art in 2003. In 2009, he took up digital photography, and soon began fusing photography with generative procedures. His experiments have focused on complexity and symmetry since 2013.
He considers himself to be an untutored, self-taught, resourceful and attuned, artistic experimenter. His current artistic catalogue of editions, as of August 2017, numbers over 350 pieces. He has worked exclusively in the digital domain since 2003. His term of art for most of work is: mixed process photography.
Across creative and scholarly domains Stephen is all about being enveloped by experience for the sake of exploration, learning how to learn and unlearn, and, being overtaken by spontaneous insight. Out of this his aim is singular: to provide evocative opportunities for others to seek and experience visual epiphanies.
His background also includes decades spent in the music industry, in organizational assessment and development, and, in experiential learning and adult development. As well, he is a composer/improviser who has recorded, under the name Kamelmauz, nine recordings of ambient and sound designs, using primarily pedal and lap steel guitars and synthesizers.
Stephen Calhoun, Artist (Cleveland, Ohio 1954- )
Most mandalas formulated from original photographs are ” rel=”noopener” target=”_blank”>posted to the shop.
(August 2017) A new catalogue in pdf form for download and consideration:
Facebook artist page
Primary catalog works (2012-2015) were exhibited at The Gallery At Gray’s, Cleveland, Ohio, May 2016-June 2017.
I blog about all sorts of stuff, including art, creativity, experiential learning, adult development, serendipity,